Solo Show

Chronicles of a War Child

Solo Show

Lapine-Moi / Rabbit-I

The first instalment Rabbit-I (2005) is a free study about the forces opposing the multiple personalities that define us. The piece is built like a children’s fairytale but somehow a little distorted. A giant blue rabbit, transforms into a caricatural hunter, on the quest for hunting rabbits, but along the way transforms into a “Nathalie Claude” searching for herself, trying to catch her own tail, her own essence.

Solo Show

Dividing Lines | Líneas Divisorias

"The one thing everyone knows is that we’re all going to die. Which means our loved ones are going to die. So how can we prepare for, experience, and honour their deaths? And does that look different if we have to make the decision to end their lives for them if they’re suffering? Dividing Lines | Líneas Divisorias is one woman’s story that offers a space for communal grieving through a celebration of life. Traced by the historic world events that coincide with her memories of independence and immigration, Beatriz reflects on how she spent over a decade caring for her mother—the one person she promised she’d be there for all the way until the end—as she lost her more and more to Alzheimer’s, and ultimately had to make the tough call to end her mother’s pain. A meditation full of light that doesn’t shy away from fear of the unknown, Beatriz’s narrative comes from a vulnerable and recognizable place of love that will invite our memories and choices in to heal." - from the publisher

Historical

Masada

"A one-person play about the history of Zionism. The play is told as a monologue through the character of an Israeli history professor who begins the lecture as a critic of Zionism but moves into an emphatic pro-Zionist stance, shifting from reason to passion or to put it another way from the rational to the irrational." - Arab Digest

Solo Show

The Auden Test

"A play about a poem about a painting about a myth - and what it means to be human. A queer tale, interweaving the lives and works of the poet W.H. Auden and the mathematician Alan Turing." - fromt the publisher.

Realistic

The Good Bride

Every night from 3pm to midnight, 15 year old Quiverfull Christian Maranatha Graham puts on her wedding dress and hopes that today will be the day her 28 year old groom Pete comes to claim her. Daddy, the paster, sent her to the Pullmans’ house to wait until God tells him it’s time for her marriage. Maranatha is so excited to submit to Pete's godly leadership in marriage and fill his quiver with arrows for Christ. But as her pre-wedding wait wears on and on, Maranatha has an increasingly difficult time ignoring Satan's constant whispering. Is she making an idol of her nightly Chick-Fil-A shake? If she has "hot shivers" for someone other than her fiance, is that adultery? And what should she do about this card from her estranged mother, who abandoned the family seven years ago?

Solo Show

Bang! Boy Bang!

Bang! Boy Bang! is a multi-media one-person show. The play follows a teenager named Rod Clarke as he struggles to retrace his activities at a party that took place one drunken night. His distorted memory eventually reveals his relationship with his troubled family, his chauvinistic brother, and a girl named Laura he met at the party. Bang! Boy Bang! explores social and sexual mores and the explosive issue of date rape.

Solo Show

Boys

ARMY SLUT BOY just wants real love. HAM and CHEESE BOY just wants to change the world. And TAMBOURINE BOY? Well... he's got rhythm. Lotsa rhythm. A one-man show about three BOYS (sorry... young men) and their lives, loves or lack thereof. Paul Dunn's tour-de-force solo show - which features the favourite "Tambourine Boy at Christian Summer Youth Camp" monologue - is a look at three 20-somethings in the late 90's, seeking to come of age.

Solo Show

Altar

Eugenio is a queer young immigrant living in St. John’s, Newfoundland & Labrador. Less than a year has passed since his move from Mexico, but in that time, he experienced deep love and deeper heartbreak when his new boyfriend, Benjamin, inexplicably “ghosted” him. No, Benjamin isn’t dead; he just stopped calling and texting. And the thing is…Eugenio’s still not over it. Looking to the traditional Mexican holiday Día de Muertos (The Day of The Dead) and his father's previous experience with paranormal activities, Eugenio decides to build an altar (a central part of the Día de Muertos ritual) in the hopes that he will be able to summon his boyfriend’s ‘ghost’ to sort out the end of their relationship once and for all. Through the altar, Eugenio realizes that he has been something of a ghost himself to the loved ones he left behind in Mexico. Will setting up an altar be enough for Eugenio to forgive, forget, and love again? Or enough to help him heal the relationships with his friends and family far away?

Solo Show

Secret Life of a Mother

The raw and untold secrets of pregnancy, miscarriage, childbirth, and mothering are revealed in this true story of motherhood for the twenty-first century. A playwright writes an exposé of modern motherhood full of her own darkly funny confessions and taboo-breaking truths. One of her real-life friends, an actress, performs the piece, and through it her own experiences of motherhood start to surface. These mothers are not the butts of jokes, the villains, or the perfect angels of a household. This empowered and relatable play was written collaboratively between award-winning theatre artists Hannah Moscovitch, Maev Beaty, and Ann-Marie Kerr, with co-creator Marinda de Beer. Uplifting and full of love, Secret Life of a Mother is a generous and powerful act of truth-telling for anyone who has thought about, been, loved, known—or come from—a mother.

Solo Show

Deafy

"Deaf public speaker Nathan Jesper has arrived at his venue desperately late. As he launches into his speech, he soon realizes that things are not what they seem. Written and performed by Deaf actor Chris Dodd, Deafy is a stand-up/sit-down tragicomedy blending ASL, the spoken word and surtitles which reflects on the experience of what it is like to be a Deaf person in a hearing world and leads you on an unexpected journey of what it really means to belong." - Pi Theatre

Realistic

Everybody Just C@lm the F#ck Down / Everybody Just Calm the Fuck Down

After an unexpected night in a Regina hospital emergency room, Robert Chafe can’t shake the burning question of whether he’s Tennessee Williams or Dorothy Zbornak. Are his symptoms a harbinger of a terrifying undiagnosed condition, or is it all just in his head? Frenetic, tender, and sometimes scary, Everybody Just C@lm the F#ck Down is a stumbling folly about the aging body, mid-life anxiety, and what it means to live when you can’t know what’s next.

Solo Show

Let’s Run Away

Peter is putting on a show. He’s a bit stressed. In the show, he will read from a manuscript. It’s a large manuscript, but don’t worry, he’s only going to read the parts about him, and there aren’t many. It’s a memoir written by someone who abandoned him twice—once as a baby and once when he was a young man of thirteen. This person has figured prominently in Peter’s life for over fifty years now, but judging by the memoir, he has not figured so much in theirs. So perhaps it’s going to be a very short show? Again, don’t worry, Peter has other skills which he will share. And if Peter can keep his cool, and if the people who work at the theatre can help him set everything up, and if the audience can just give him a little bit of their time and their attention and their silence, maybe he can tell everyone something about who we really are and who we are to others and who we might be to ourselves when we’re alone. And maybe that can make it all a little bit easier.

Realistic

Crybaby

"A young woman falls in love for the first time, opening up a well of feeling about her Blackness, her identity, her childhood, sexuality, and womanhood in a poetic performance that uses memory and projections to ask the question: How can we be whole when a part of us is missing?" - From a FB post from the Black theatre workshop in Montreal

Solo Show

The Sender

Cil Brown loves her work. Her job as a Sender on a global racism-elimination project has resulted in a peaceful, logical and sustainable world. However, she encounters technical difficulties when a Sendee objects to restrictions on the lives of residents of White Supremacist Island.

Realistic

Graceful Rebellions

"Graceful Rebellions, playing in the SummerWorks Festival, tracks experiences of (and with) queerness in war-torn Afghanistan to Canada through two generations and four characters. We start with an idealistic fourteen year old, probably around sixty years ago, imagining her own future wedding on the eve of her sister’s. She is so good-natured and naïve that it is hard for us, the audience, who know her reality will not be able to meet her fantasy." - Mooneyonthetheatre.com "In this brilliant and engaging one-woman show, playwright and performer SHAISTA LATIF transitions seamlessly between distinctly complex characters in a deeply personal work. Moving across cultures and generations, Graceful Rebellions tells the stories of three Afghan women, each bartering for small joys and challenging the cultural norms that exist under Afghanistan’s patriarchal rule. Shaista lovingly portrays characters, by turns funny and heartbreaking, who struggle in a world where women commonly have no power, in a culture that has long been dominated by war." - National Arts Centre, Ottawa

Solo Show

Dividing Lines | Líneas Divisorias

"The one thing everyone knows is that we’re all going to die. Which means our loved ones are going to die. So how can we prepare for, experience, and honour their deaths? And does that look different if we have to make the decision to end their lives for them if they’re suffering? Dividing Lines | Líneas Divisorias is one woman’s story that offers a space for communal grieving through a celebration of life. Traced by the historic world events that coincide with her memories of independence and immigration, Beatriz reflects on how she spent over a decade caring for her mother—the one person she promised she’d be there for all the way until the end—as she lost her more and more to Alzheimer’s, and ultimately had to make the tough call to end her mother’s pain. A meditation full of light that doesn’t shy away from fear of the unknown, Beatriz’s narrative comes from a vulnerable and recognizable place of love that will invite our memories and choices in to heal." - from the publisher

Docudrama

Reasonable Doubt

"A significant moment in Canadian history is portrayed in this documentary musical about race relations between Indigenous and non-Indigenous people. Weaving hundreds of real interviews conducted with Saskatchewan residents and the court transcripts surrounding the killing of Colten Boushie and trial of Gerald Stanley, a kaleidoscopic picture is formed of the views of the incident, the province, and relationships between all people in Canada. A verbatim play with music created by Joel Bernbaum, Lancelot Knight, and Yvette Nolan, Reasonable Doubt provides a space to honestly talk to each other about what has happened on this land and how we can live together." - from the publisher "In 2015, playwright and journalist Joel Bernbaum was commissioned by Persephone Theatre to gather interviews with local citizens for the purposes of writing a documentary play on race relations in our province. Then, in 2016, Colten Boushie, was fatally shot on Gerald Stanley’s farm near Biggar, SK. and the interviews changed dramatically." - persephonetheatre.org

Realistic

The Making of St. Jerome

When Jason De Jesus discovers his younger brother Jerome was the victim of a senseless shooting, his world is filled with questions surrounding Jerome’s death. Was his brother a threat or a casualty of racial profiling? Was he an innocent bystander or someone other than his family’s shining star? Internalizing his survivor’s guilt while reflecting on their strained relationship, Jason’s quest for truth and justice is tainted as he discovers there are no simple answers. Inspired by the shooting of a Filipino Canadian teenager by a police officer in Toronto, The Making of St. Jerome is a poignant look at the aftermath of an untimely death, the media’s role in the truth, and one family’s attempt to reconcile a haunting reality.

Historical

Forgiveness

Mitsue Sakamoto and Ralph MacLean both suffered tremendous loss during WWII: Mitsue as a survivor of a Japanese Canadian internment camp, and Ralph as a prisoner in a Japanese POW camp. In order to rebuild their lives and their families after the war, Ralph and Mitsue must find the grace and generosity necessary to forgive those who have wronged them. Their paths eventually cross in 1968 when Mitsue’s son and Ralph’s daughter begin dating, and Ralph is invited to Mitsue’s home for dinner. This soaring adaptation of Mark Sakamoto’s award-winning memoir affirms the power of forgiveness and shows us that in our challenging times characterized by political divisiveness, xenophobia, and race hatred, the story of Mitsue and Ralph’s personal triumphs over hatred, injustice, violence, and bigotry remains vitally relevant and urgently necessary.

Solo show

Body So Fluorescent

What happened last night on the dance floor? Gary knows he went to the club with his friend Desiree, but now all he has is a fuzzy memory and a text saying, “We’re done.” Desiree has known something’s been up with Gary, but she always kept her thoughts to herself. Until last night ended in an explosive fight. As Gary and Desiree retrace their steps to figure out the chain of events, perspectives shift from self to alter ego to untangle the facts. And after the dust settles, can their friendship be rebuilt? Body So Fluorescent is an electrifying exploration that asks difficult questions about Blackness, otherness, and appropriation.

Realistic

Say Ginger Ale

Nadia is very happy to call Canada home. Since moving there at the age of 6, there was no turning back. So, why does everyone think she's pining for Jamaica? An unexpected trip back "home" makes her confront her feelings and her past. There may even be a love connection.

Historical

Viola Desmond

1946 New Glasgow, Nova Scotia. A Black beautician from Halifax refuses to sit in the balcony of the segregated movie theatre and is sent to jail and convicted of tax evasion for the $ 0.02 difference in price. The conviction is upheld by the Nova Scotia Supreme Court.

Solo Show

The Sender

Cil Brown loves her work. Her job as a Sender on a global racism-elimination project has resulted in a peaceful, logical and sustainable world. However, she encounters technical difficulties when a Sendee objects to restrictions on the lives of residents of White Supremacist Island.

Historical

Other People’s Heaven: The Viola Desmond Story

Viola Davis Desmond (July 6, 1914-1965) was born in Halifax, Nova Scotia, Canada. She was an African- Canadian who ran her own beauty parlor and beauty college in Halifax. She has been referred to as a Canadian version of Rosa Parks. Desmond’s story was one of the most publicized incidents of racial discrimination in Nova Scotian and Canadian history. On November 8, 1946, Viola Desmond refused to sit in the balcony designated exclusively for blacks in a New Glasgow theatre. Instead she took her seat on the ground floor where only white people were allowed to sit. After being forcibly removed from the theatre and arrested, Desmond was eventually found guilty of not paying the one-cent difference in tax on the balcony ticket from the main floor ticket.

Historical

Once A Flame

Once a Flame tells the harrowing story of the defiant Black slave Marie Joseph Angélique who was executed for arson in Old Montreal in 1734. This one act play recalls the events that took place before and after her trial.

Realistic

Who You Callin’ Black, eh?

Who you Callin Black Eh? is a coming of age play set in Canada’s largest, most multicultural, multilingual city, that is not about sexuality, but about colour. Wherever Our Heroine goes, she is not Black Enough or White Enough to find her people.

Historical

My Place Is Right Here: Hugh Burnett and the Fight for a Better Canada

"This play is a research-based, dramatic exploration and celebration of little known African-Canadian hero Hugh Burnett's personhood and human rights legacy. The setting of the play is the world of Hugh Burnett's memory and our memory. Like our dreams, it is not confined by space or conventional rules. Through the interplay of text, theatre and movement, it is hoped that Hugh Burnett may speak his memory and our memory even as memory shifts and changes like the countless grains of a sand dune." - from the publisher

Historical

Serving Elizabeth

Serving Elizabeth begins in Kenya in 1952, during the fateful royal visit of Princess Elizabeth and the Duke of Edinburgh. Mercy, a restaurant owner, is approached to cook for the royal couple. As a staunch anti-monarchist, how can she take the job? Decades later, Tia, a Kenyan-Canadian film student interning in the London office of a production company doing a series about Queen Elizabeth, discovers that there may be more to the story of the royal visit than we have been led to believe. Although she’s been a fan of princesses all her life, Tia learns that fairy tales and real life are very different things.

Solo Show

Beneath Springhill: The Maurice Ruddick Story

Beneath Springhill is the incredible story of Maurice Ruddick, “the singing miner,” an African-Canadian who survived nine days underground during the historic Springhill mining disaster of 1958. This multi-award-winning chamber musical recalls the events during the disaster, the effect it had on Ruddick’s family, and the racial tensions in the town of Springhill. The play is a celebration of hope, courage and community.