
Solo Show















Have you ever found the perfect part? Or read a scene that speaks to you? Or seen a play where the actor on stage matched the writing as if made-to-measure? Don’t you wish it happened more often?
Parallel Play is a tool to help smooth the search for material that really fits. Fits actors, directors, teachers, students, writers, readers and theatre enthusiasts in their quest to find parallels between cast and character.
Parallel Play draws from an extensive database of culturally diverse plays and playwrights. Its foundation is a collection curated by theatre people and designed for all. With new plays added regularly, we think you’ll find our collection unparalleled!
In our database, there are more than 1000+ plays. Search by title or playwright. Click on a playwright's name to see more of their works.









Solo Show

Solo Show
The first instalment Rabbit-I (2005) is a free study about the forces opposing the multiple personalities that define us. The piece is built like a children’s fairytale but somehow a little distorted. A giant blue rabbit, transforms into a caricatural hunter, on the quest for hunting rabbits, but along the way transforms into a “Nathalie Claude” searching for herself, trying to catch her own tail, her own essence.

Solo Show
"The one thing everyone knows is that we’re all going to die. Which means our loved ones are going to die. So how can we prepare for, experience, and honour their deaths? And does that look different if we have to make the decision to end their lives for them if they’re suffering? Dividing Lines | Líneas Divisorias is one woman’s story that offers a space for communal grieving through a celebration of life. Traced by the historic world events that coincide with her memories of independence and immigration, Beatriz reflects on how she spent over a decade caring for her mother—the one person she promised she’d be there for all the way until the end—as she lost her more and more to Alzheimer’s, and ultimately had to make the tough call to end her mother’s pain. A meditation full of light that doesn’t shy away from fear of the unknown, Beatriz’s narrative comes from a vulnerable and recognizable place of love that will invite our memories and choices in to heal." - from the publisher

Historical
"A one-person play about the history of Zionism. The play is told as a monologue through the character of an Israeli history professor who begins the lecture as a critic of Zionism but moves into an emphatic pro-Zionist stance, shifting from reason to passion or to put it another way from the rational to the irrational." - Arab Digest

Solo Show
"A play about a poem about a painting about a myth - and what it means to be human. A queer tale, interweaving the lives and works of the poet W.H. Auden and the mathematician Alan Turing." - fromt the publisher.

Realistic
Every night from 3pm to midnight, 15 year old Quiverfull Christian Maranatha Graham puts on her wedding dress and hopes that today will be the day her 28 year old groom Pete comes to claim her. Daddy, the paster, sent her to the Pullmans’ house to wait until God tells him it’s time for her marriage. Maranatha is so excited to submit to Pete's godly leadership in marriage and fill his quiver with arrows for Christ. But as her pre-wedding wait wears on and on, Maranatha has an increasingly difficult time ignoring Satan's constant whispering. Is she making an idol of her nightly Chick-Fil-A shake? If she has "hot shivers" for someone other than her fiance, is that adultery? And what should she do about this card from her estranged mother, who abandoned the family seven years ago?

Solo Show
Bang! Boy Bang! is a multi-media one-person show. The play follows a teenager named Rod Clarke as he struggles to retrace his activities at a party that took place one drunken night. His distorted memory eventually reveals his relationship with his troubled family, his chauvinistic brother, and a girl named Laura he met at the party. Bang! Boy Bang! explores social and sexual mores and the explosive issue of date rape.

Solo Show
ARMY SLUT BOY just wants real love. HAM and CHEESE BOY just wants to change the world. And TAMBOURINE BOY? Well... he's got rhythm. Lotsa rhythm. A one-man show about three BOYS (sorry... young men) and their lives, loves or lack thereof. Paul Dunn's tour-de-force solo show - which features the favourite "Tambourine Boy at Christian Summer Youth Camp" monologue - is a look at three 20-somethings in the late 90's, seeking to come of age.

Solo Show
Eugenio is a queer young immigrant living in St. John’s, Newfoundland & Labrador. Less than a year has passed since his move from Mexico, but in that time, he experienced deep love and deeper heartbreak when his new boyfriend, Benjamin, inexplicably “ghosted” him. No, Benjamin isn’t dead; he just stopped calling and texting. And the thing is…Eugenio’s still not over it. Looking to the traditional Mexican holiday Día de Muertos (The Day of The Dead) and his father's previous experience with paranormal activities, Eugenio decides to build an altar (a central part of the Día de Muertos ritual) in the hopes that he will be able to summon his boyfriend’s ‘ghost’ to sort out the end of their relationship once and for all. Through the altar, Eugenio realizes that he has been something of a ghost himself to the loved ones he left behind in Mexico. Will setting up an altar be enough for Eugenio to forgive, forget, and love again? Or enough to help him heal the relationships with his friends and family far away?

Solo Show
The raw and untold secrets of pregnancy, miscarriage, childbirth, and mothering are revealed in this true story of motherhood for the twenty-first century. A playwright writes an exposé of modern motherhood full of her own darkly funny confessions and taboo-breaking truths. One of her real-life friends, an actress, performs the piece, and through it her own experiences of motherhood start to surface. These mothers are not the butts of jokes, the villains, or the perfect angels of a household. This empowered and relatable play was written collaboratively between award-winning theatre artists Hannah Moscovitch, Maev Beaty, and Ann-Marie Kerr, with co-creator Marinda de Beer. Uplifting and full of love, Secret Life of a Mother is a generous and powerful act of truth-telling for anyone who has thought about, been, loved, known—or come from—a mother.

Solo Show
"Deaf public speaker Nathan Jesper has arrived at his venue desperately late. As he launches into his speech, he soon realizes that things are not what they seem. Written and performed by Deaf actor Chris Dodd, Deafy is a stand-up/sit-down tragicomedy blending ASL, the spoken word and surtitles which reflects on the experience of what it is like to be a Deaf person in a hearing world and leads you on an unexpected journey of what it really means to belong." - Pi Theatre

Realistic
After an unexpected night in a Regina hospital emergency room, Robert Chafe can’t shake the burning question of whether he’s Tennessee Williams or Dorothy Zbornak. Are his symptoms a harbinger of a terrifying undiagnosed condition, or is it all just in his head? Frenetic, tender, and sometimes scary, Everybody Just C@lm the F#ck Down is a stumbling folly about the aging body, mid-life anxiety, and what it means to live when you can’t know what’s next.

Solo Show
Peter is putting on a show. He’s a bit stressed. In the show, he will read from a manuscript. It’s a large manuscript, but don’t worry, he’s only going to read the parts about him, and there aren’t many. It’s a memoir written by someone who abandoned him twice—once as a baby and once when he was a young man of thirteen. This person has figured prominently in Peter’s life for over fifty years now, but judging by the memoir, he has not figured so much in theirs. So perhaps it’s going to be a very short show? Again, don’t worry, Peter has other skills which he will share. And if Peter can keep his cool, and if the people who work at the theatre can help him set everything up, and if the audience can just give him a little bit of their time and their attention and their silence, maybe he can tell everyone something about who we really are and who we are to others and who we might be to ourselves when we’re alone. And maybe that can make it all a little bit easier.

Realistic
"A young woman falls in love for the first time, opening up a well of feeling about her Blackness, her identity, her childhood, sexuality, and womanhood in a poetic performance that uses memory and projections to ask the question: How can we be whole when a part of us is missing?" - From a FB post from the Black theatre workshop in Montreal

Solo Show
Cil Brown loves her work. Her job as a Sender on a global racism-elimination project has resulted in a peaceful, logical and sustainable world. However, she encounters technical difficulties when a Sendee objects to restrictions on the lives of residents of White Supremacist Island.

Stylized
Most of us, when faced with death, wish we could just have a little more time. But what if this is the little more time that we wished for? What are you going to do with it? Grieving siblings Natalie and Bart have differing views on how we die. Natalie, a palliative care nurse, knows how drugs can help ease someone’s pain, and do so on their own terms; Bart, a minister, believes that surrendering to what may come can bring peace and wisdom. Through this immersive show about end-of-life choices, Natalie and Bart are guided by a disabled angel who helps them address their mother’s final decision and understand their own hopes and fears about death. Packed with relatable existential questions, this joyously engaging and reflective play offers a welcoming space to think about what comes next.

Stylized
6 Essential Questions tells the story of Renata as she travels to Brazil to reunite with the mother who abandoned her when she was just five years old. In Rio, Renata discovers more than she bargained for in her quest to uncover the truth of who abandoned whom. She is continually tossed about by her undead grandmother and a semi-invisible uncle as they choreograph the ultimate dance of mother and daughter, both of whom must confront their dreams before they can ever attempt to confront each other. Imaginations run wild in this strangely beautiful and funny story loosely based on Uppal’s critically acclaimed memoir, Projection: Encounters with My Runaway Mother, a finalist for both the Hilary Weston Writers’ Trust Prize for Nonfiction and the Governor General’s Literary Award for Non-Fiction.

Solo show
Glory is a troubled teenage inmate who, in her solitary prison cell, is tormented by hallucinations. While she battles the creature in her mind, her adoptive mother Rosellen struggles to remain connected to her daughter, believing that she can sense Glory’s feelings no matter the distance. In the prison halls, Gail, a working-class guard, glides between her conscience and her professional duties, knowing her actions could ultimately lead to a tragic end.

Realistic
Francisco will forever be haunted by the sight of his best friend Juan lying on the floor of a train station, pierced by five bullets. He’ll remember that sight as he flees the political uprising in Uruguay that night. He’ll remember when he’s holding a dying homeless man in Windsor Station in Montreal eight months later. He’ll remember when he’s a successful architect. He’ll remember when he’s having an affair with a Québécoise pianist named Claire. He’ll remember when he’s much older, a vagrant sleeping in a café that was once part of Windsor Station, where he meets his son, an activist in the student strikes in Quebec. As he tries for a better life, Francisco’s past keeps finding him, until it blurs with the present in a series of hallucinations, challenging him to reclaim his identity and his rights.

Realistic
Sparking a series of further revelations, the sudden reappearance of David exposes suppressed emotions and desires in everyone and the family must renegotiate their relationships with each other and, ultimately, redefine their family. In sharp, non-stop dialogue, Brad Fraser brings each of his characters to life with a depth, humour, and emotion that tears open the nuclear family and finds the heart that is often lost and forgotten.

Solo Show
"The one thing everyone knows is that we’re all going to die. Which means our loved ones are going to die. So how can we prepare for, experience, and honour their deaths? And does that look different if we have to make the decision to end their lives for them if they’re suffering? Dividing Lines | Líneas Divisorias is one woman’s story that offers a space for communal grieving through a celebration of life. Traced by the historic world events that coincide with her memories of independence and immigration, Beatriz reflects on how she spent over a decade caring for her mother—the one person she promised she’d be there for all the way until the end—as she lost her more and more to Alzheimer’s, and ultimately had to make the tough call to end her mother’s pain. A meditation full of light that doesn’t shy away from fear of the unknown, Beatriz’s narrative comes from a vulnerable and recognizable place of love that will invite our memories and choices in to heal." - from the publisher

Realistic
Love between a Palestinian girl and an Israeli man is born and then ruined in a violent reality.

Histotical
In 1987, John Demjanjuk was accused of being the Ivan the Terrible of the Nazi extermination camp, Treblinka, brought to trial in Jerusalem and sentenced to hang. The Trials probes the nature of guilt, the need for retribution, and the lessons still to be learned today from the Holocaust. Inspired by the great political theatre of Bertolt Brecht, the play features music co-composed by Christine Brubaker and Dora Mavor Moore award-winner Allen Cole.

Docudrama
Set in the aftermath of the disaster that nearly destroyed Fort McMurray in 2016, After the Fire centres around two couples whose lives have been deeply affected by the ruin. Sisters Laura and Carmell have been channelling their devastation into their daughters’ hockey team, as their Indigenous husbands Barry and Ty grapple with their own demons while digging a very big hole.

Realistic
A woman is trying to clean out her storage locker and say goodbye to the past, but an overwhelming feeling of dread forces her to confront the way she has historically subjugated herself to the needs of others.

Realistic
Pako-shay-imoohk travels in time from 1969 to 1982. Along the way Judith Blaine stands up to her bellicose father, dumps an unsavory baseball player and marries Haladay Newman, an early-day environmentalist. When they’re randomly attacked while hiking, Judith loses her pregnancy and out of fear the couple decide to stay inside - forever. But after seeing a certain photo, Judith breaks their rule about not engaging with the world and reaches out to Marie Lizotte, a Metis social worker. Marie teaches Judith the Michif word for hope: pakoshayimoohk, and encourages her to rejoin the world. Will Judith stay hidden inside with Haladay? Or embrace pakoshayimoohk and step outside the door?

Realistic
Three siblings search a park for their missing mother, and in the process, reveal conflicts and secrets that threaten to tear their family apart whether they find their Mom, or not. Each of them struggles with the battle between the needs of the others and their own emotional survival.

Solo Show
"A play about a poem about a painting about a myth - and what it means to be human. A queer tale, interweaving the lives and works of the poet W.H. Auden and the mathematician Alan Turing." - fromt the publisher.

Solo Show
The raw and untold secrets of pregnancy, miscarriage, childbirth, and mothering are revealed in this true story of motherhood for the twenty-first century. A playwright writes an exposé of modern motherhood full of her own darkly funny confessions and taboo-breaking truths. One of her real-life friends, an actress, performs the piece, and through it her own experiences of motherhood start to surface. These mothers are not the butts of jokes, the villains, or the perfect angels of a household. This empowered and relatable play was written collaboratively between award-winning theatre artists Hannah Moscovitch, Maev Beaty, and Ann-Marie Kerr, with co-creator Marinda de Beer. Uplifting and full of love, Secret Life of a Mother is a generous and powerful act of truth-telling for anyone who has thought about, been, loved, known—or come from—a mother.

After the unexpected death of their parents, two second-generation Italian Canadian brothers must come together to decide whether to hold on to the family home, which is full of secrets and hoarded junk, or save what’s left of their strained relationship. When Anthony, an uptight lawyer running for office, arrives with his former actor-turned-campaign-manager wife Cristina, they’re set on signing away the house and everything that comes with it. But Enzo, a disorganized plumber, and his pregnant girlfriend Nat have other plans. The pleasantries quickly turn to tense deliberations that unearth dramatically differing views of the group’s past experiences and present values. This clever family dramedy takes a close look at issues that affect modern second-generation immigrant families in Canada—class differences, antiquated old-world beliefs, and a crumbling Canadian dream.