Solo Show

Chronicles of a War Child

Solo Show

Lapine-Moi / Rabbit-I

The first instalment Rabbit-I (2005) is a free study about the forces opposing the multiple personalities that define us. The piece is built like a children’s fairytale but somehow a little distorted. A giant blue rabbit, transforms into a caricatural hunter, on the quest for hunting rabbits, but along the way transforms into a “Nathalie Claude” searching for herself, trying to catch her own tail, her own essence.

Solo Show

Dividing Lines | Líneas Divisorias

"The one thing everyone knows is that we’re all going to die. Which means our loved ones are going to die. So how can we prepare for, experience, and honour their deaths? And does that look different if we have to make the decision to end their lives for them if they’re suffering? Dividing Lines | Líneas Divisorias is one woman’s story that offers a space for communal grieving through a celebration of life. Traced by the historic world events that coincide with her memories of independence and immigration, Beatriz reflects on how she spent over a decade caring for her mother—the one person she promised she’d be there for all the way until the end—as she lost her more and more to Alzheimer’s, and ultimately had to make the tough call to end her mother’s pain. A meditation full of light that doesn’t shy away from fear of the unknown, Beatriz’s narrative comes from a vulnerable and recognizable place of love that will invite our memories and choices in to heal." - from the publisher

Historical

Masada

"A one-person play about the history of Zionism. The play is told as a monologue through the character of an Israeli history professor who begins the lecture as a critic of Zionism but moves into an emphatic pro-Zionist stance, shifting from reason to passion or to put it another way from the rational to the irrational." - Arab Digest

Solo Show

The Auden Test

"A play about a poem about a painting about a myth - and what it means to be human. A queer tale, interweaving the lives and works of the poet W.H. Auden and the mathematician Alan Turing." - fromt the publisher.

Realistic

The Good Bride

Every night from 3pm to midnight, 15 year old Quiverfull Christian Maranatha Graham puts on her wedding dress and hopes that today will be the day her 28 year old groom Pete comes to claim her. Daddy, the paster, sent her to the Pullmans’ house to wait until God tells him it’s time for her marriage. Maranatha is so excited to submit to Pete's godly leadership in marriage and fill his quiver with arrows for Christ. But as her pre-wedding wait wears on and on, Maranatha has an increasingly difficult time ignoring Satan's constant whispering. Is she making an idol of her nightly Chick-Fil-A shake? If she has "hot shivers" for someone other than her fiance, is that adultery? And what should she do about this card from her estranged mother, who abandoned the family seven years ago?

Solo Show

Bang! Boy Bang!

Bang! Boy Bang! is a multi-media one-person show. The play follows a teenager named Rod Clarke as he struggles to retrace his activities at a party that took place one drunken night. His distorted memory eventually reveals his relationship with his troubled family, his chauvinistic brother, and a girl named Laura he met at the party. Bang! Boy Bang! explores social and sexual mores and the explosive issue of date rape.

Solo Show

Boys

ARMY SLUT BOY just wants real love. HAM and CHEESE BOY just wants to change the world. And TAMBOURINE BOY? Well... he's got rhythm. Lotsa rhythm. A one-man show about three BOYS (sorry... young men) and their lives, loves or lack thereof. Paul Dunn's tour-de-force solo show - which features the favourite "Tambourine Boy at Christian Summer Youth Camp" monologue - is a look at three 20-somethings in the late 90's, seeking to come of age.

Solo Show

Altar

Eugenio is a queer young immigrant living in St. John’s, Newfoundland & Labrador. Less than a year has passed since his move from Mexico, but in that time, he experienced deep love and deeper heartbreak when his new boyfriend, Benjamin, inexplicably “ghosted” him. No, Benjamin isn’t dead; he just stopped calling and texting. And the thing is…Eugenio’s still not over it. Looking to the traditional Mexican holiday Día de Muertos (The Day of The Dead) and his father's previous experience with paranormal activities, Eugenio decides to build an altar (a central part of the Día de Muertos ritual) in the hopes that he will be able to summon his boyfriend’s ‘ghost’ to sort out the end of their relationship once and for all. Through the altar, Eugenio realizes that he has been something of a ghost himself to the loved ones he left behind in Mexico. Will setting up an altar be enough for Eugenio to forgive, forget, and love again? Or enough to help him heal the relationships with his friends and family far away?

Solo Show

Secret Life of a Mother

The raw and untold secrets of pregnancy, miscarriage, childbirth, and mothering are revealed in this true story of motherhood for the twenty-first century. A playwright writes an exposé of modern motherhood full of her own darkly funny confessions and taboo-breaking truths. One of her real-life friends, an actress, performs the piece, and through it her own experiences of motherhood start to surface. These mothers are not the butts of jokes, the villains, or the perfect angels of a household. This empowered and relatable play was written collaboratively between award-winning theatre artists Hannah Moscovitch, Maev Beaty, and Ann-Marie Kerr, with co-creator Marinda de Beer. Uplifting and full of love, Secret Life of a Mother is a generous and powerful act of truth-telling for anyone who has thought about, been, loved, known—or come from—a mother.

Solo Show

Deafy

"Deaf public speaker Nathan Jesper has arrived at his venue desperately late. As he launches into his speech, he soon realizes that things are not what they seem. Written and performed by Deaf actor Chris Dodd, Deafy is a stand-up/sit-down tragicomedy blending ASL, the spoken word and surtitles which reflects on the experience of what it is like to be a Deaf person in a hearing world and leads you on an unexpected journey of what it really means to belong." - Pi Theatre

Realistic

Everybody Just C@lm the F#ck Down / Everybody Just Calm the Fuck Down

After an unexpected night in a Regina hospital emergency room, Robert Chafe can’t shake the burning question of whether he’s Tennessee Williams or Dorothy Zbornak. Are his symptoms a harbinger of a terrifying undiagnosed condition, or is it all just in his head? Frenetic, tender, and sometimes scary, Everybody Just C@lm the F#ck Down is a stumbling folly about the aging body, mid-life anxiety, and what it means to live when you can’t know what’s next.

Solo Show

Let’s Run Away

Peter is putting on a show. He’s a bit stressed. In the show, he will read from a manuscript. It’s a large manuscript, but don’t worry, he’s only going to read the parts about him, and there aren’t many. It’s a memoir written by someone who abandoned him twice—once as a baby and once when he was a young man of thirteen. This person has figured prominently in Peter’s life for over fifty years now, but judging by the memoir, he has not figured so much in theirs. So perhaps it’s going to be a very short show? Again, don’t worry, Peter has other skills which he will share. And if Peter can keep his cool, and if the people who work at the theatre can help him set everything up, and if the audience can just give him a little bit of their time and their attention and their silence, maybe he can tell everyone something about who we really are and who we are to others and who we might be to ourselves when we’re alone. And maybe that can make it all a little bit easier.

Realistic

Crybaby

"A young woman falls in love for the first time, opening up a well of feeling about her Blackness, her identity, her childhood, sexuality, and womanhood in a poetic performance that uses memory and projections to ask the question: How can we be whole when a part of us is missing?" - From a FB post from the Black theatre workshop in Montreal

Solo Show

The Sender

Cil Brown loves her work. Her job as a Sender on a global racism-elimination project has resulted in a peaceful, logical and sustainable world. However, she encounters technical difficulties when a Sendee objects to restrictions on the lives of residents of White Supremacist Island.

Historical

Interrogation

Two youth (a boy, Naeem, and a woman, Safiya), loyal to the anti-colonial struggle in Algeria, cannot stop their acts of violence even after the revolution has been won. Their stories tell a timeless truth: nothing enduring can be built on violence.

Historical

Aurash

'Based on a Persian myth dating back over one thousand years, in the 1970s the fable was adapted into a dramatic narrative by Bahram Beyza'ie. In Beyza'ie's story, Aurash, a naïve and human stablehand, becomes an unwilling player in his country's post-war border treaty. He must determine his people's fate by firing an arrow from the top of a mountain." -- from the publisher

Realistic

The Crackwalker

Teresa is sexy, seductive, and mentally challenged. Worshipped by her boyfriend, she turns tricks at $5, is addicted to Tim Hortons' doughnuts, lies without thinking, and overflows with endless kindness, but she continues to hold on to her limitless innocence. The Crackwalker captures the music, the dialect, and the unpretty realities of the inner city. First produced thirty years ago, Thompson's striking portrayal of the discarded class in Canada continues to move audiences today.

Realistic

Shooting Magda (The Palestinian Girl)

Love between a Palestinian girl and an Israeli man is born and then ruined in a violent reality.

Historical

The Murder of Isaac

Twelve inmates in a closed ward in a mental hospital for soldiers suffering acute PTSD presenting a cabaret about the assassination of Yitzhak (Isaac) Rabin, Israel’s former prime minister following his peace negotiations with the Palestinians. In a show they can't control they explore the infrastructure of Israeli society and present the deep internal conflicts that led to this tragic assassination.

Docudrama

Reading Hebron

A Toronto Jew named Nathan Abramowitz investigates the Hebron Massacre—in which a Jewish settler murdered 29 Muslims at prayer—as a way of questioning his own responsibility for the oppression of Palestinians.

Realistic

House of Many Tongues

During the Six Day War, an Israeli general found an abandoned house and made it his home. Forty years later, the general, along with his imaginative and distant son Alex, live in peaceful solitude. When a Palestinian writer shows up with is daughter and lays claim to the house he left decades ago, an internal house war ensues. The bathroom is seized, a fig tree is destroyed, and the basement becomes a shrine in the resulting chaos. Relenting, both men strike a deal to share the house. Somehow these two families are going to have to live together—if they don't kill each other first.

Docudrama

Reasonable Doubt

"A significant moment in Canadian history is portrayed in this documentary musical about race relations between Indigenous and non-Indigenous people. Weaving hundreds of real interviews conducted with Saskatchewan residents and the court transcripts surrounding the killing of Colten Boushie and trial of Gerald Stanley, a kaleidoscopic picture is formed of the views of the incident, the province, and relationships between all people in Canada. A verbatim play with music created by Joel Bernbaum, Lancelot Knight, and Yvette Nolan, Reasonable Doubt provides a space to honestly talk to each other about what has happened on this land and how we can live together." - from the publisher "In 2015, playwright and journalist Joel Bernbaum was commissioned by Persephone Theatre to gather interviews with local citizens for the purposes of writing a documentary play on race relations in our province. Then, in 2016, Colten Boushie, was fatally shot on Gerald Stanley’s farm near Biggar, SK. and the interviews changed dramatically." - persephonetheatre.org

Stylized

Trans-Bacchanalia Express

This happy-ending colloquial take on the ancient Greek tragedy “The Bacchae” loosely follows the confrontation of the young god Dionysus with Pentheus, the young king of Thebes. Pentheus, a heroic athlete, adored by all, has recently become king and is called upon to halt the cult of Dionysus from spreading to Thebes. However, Pentheus has serious issues—although a family man, he is ill-at-ease with his new role, with what the public and his family expect of him, and—more importantly—his own body and gender. He seeks advice from his grandfather and the blind seer Tyresias, but they are not much help. Pentheus unsuccessfully imprisons Dionysus, who easily escapes. Dionysus causes the destruction of the palace and manipulates Pentheus to further his own agenda. Pentheus is torn apart by the followers of the young god—including his own mother and members of the Royal Court. Dionysus—who has his own issues—ultimately brings Pentheus back to life, to live again—this time as a woman.

Historical

Queen Goneril

Set seven years before King Lear, Queen Goneril centres the struggles of Lear’s daughters as they negotiate patriarchal systems built to keep them relegated to the sidelines. In Goneril, we find a natural-born leader. In Regan, a boundary pusher. And in Cordelia, a reluctant peacekeeper. As the three work to dismantle their individual constraints, a storm of inner reckoning begins to brew that reflects their deepest yearnings and mirrors our contemporary world. Whip smart and wide awake, Queen Goneril is another deliciously disruptive adaptation from Erin Shields. In her signature revisionist style, Shields investigates some of our most urgent feminist issues by reimagining the roles of women in classic texts—shifting them from subjects, objects, or witnesses to central figures of both their own lives and the story’s narrative. Queen Goneril lays bare the challenges of maintaining authenticity while achieving authority—how we retain a strong sense of self while twisting around systems meant to make us play small. A compelling story about complicated characters struggling—the way we all struggle—to find their place in this world.

Realistic

I Am For You

Fighting words . . . Lainie and Mariam have it out for each other, so it’s no surprise when they finally come to violent blows in the middle of their high school’s drama room. That’s when Caddell Morris, an ex-professional actor and newly minted student teacher, steps in. By teaching the girls the art of stage combat, he hopes to help them understand more about the roots and costs of violence. But when he convinces the drama teacher to let them play Mercutio and Tybalt in their school production of Romeo and Juliet, swords, words, and egos battle and clash. Can they find a way to work together?

Historical

Forgiveness

Mitsue Sakamoto and Ralph MacLean both suffered tremendous loss during WWII: Mitsue as a survivor of a Japanese Canadian internment camp, and Ralph as a prisoner in a Japanese POW camp. In order to rebuild their lives and their families after the war, Ralph and Mitsue must find the grace and generosity necessary to forgive those who have wronged them. Their paths eventually cross in 1968 when Mitsue’s son and Ralph’s daughter begin dating, and Ralph is invited to Mitsue’s home for dinner. This soaring adaptation of Mark Sakamoto’s award-winning memoir affirms the power of forgiveness and shows us that in our challenging times characterized by political divisiveness, xenophobia, and race hatred, the story of Mitsue and Ralph’s personal triumphs over hatred, injustice, violence, and bigotry remains vitally relevant and urgently necessary.

Realistic

Winter of Eighty-Eight/”Winter of 88″

A new apartment should be a warm and welcoming signal to a fresh chapter of life. It shouldn’t be where a family waits in the dark, surrounded by unpacked boxes, as missiles rain down around them. Already eight years into the Iran–Iraq war, Nasrin and her two adult children—daughter Nahid and son Mahyar—just want to feel safe and settled. Tensions are already high, from bickering over who gets what room and what goes where to why Nahid’s husband left her. Mahyar leaves the apartment in a heated moment, leaving Nasrin wracked with fear. As the missiles start to strike and the power goes out, Nahid tries to hold everything together. From that moment on, it’s about survival. This heart-wrenching meta-autobiographical play, presented in both English and Farsi, is a window into days when death was practically a neighbour in war-torn Tehran. It’s a dedication to those who are left behind with the trauma of war and survivors’ guilt. Author Mohammad Yaghoubi survived it, so he had to write about it.

Historical

Peter Fechter: Fifty-Nine Minutes/”Peter Fechter: 59 Minutes”

Peter Fechter: 59 Minutes chronicles the last hour of Peter Fechter’s life, a teenager in East Berlin shot while attempting to cross the Berlin Wall in 1962 with his companion.

Stylized

Zahgidiwin/love

Zahgidiwin/love follows Namid through multiple generations: as a survivor of abuse in a residential school in the 1960s, as a missing woman held in a suburban basement in the 1990s, and as the rebellious daughter of a tyrannical queen in a post-apocalyptic, matriarchal society. A comedy about loss in the era of truth and reconciliation