
Stylized
Blood.Claat
Life blood and deathblood experienced through the journey of 15 year old Mudgu Sankofa, surrounded by three generations of afrikan-jamaican-becoming -afrikan-canadian women: her family.

Jiv is “Canadian. ” And “Indian. ” And “Hindu. ” And “West Indian. ” “Trinidadian,” too. Or maybe he’s just colonized. He’s not the “white boy” he was teased as within his immigrant household. Especially since his Nova Scotian neighbours seemed to think he was Black. Except for the Black people—they were pretty sure he wasn’t. He’s not an Arab, and allegedly not a Muslim—at least that’s what he started claiming after 9/11. Whatever he is, the public education system was able to offer him the chance to learn about his culture from a coffee table book on “Eastern Mythology. ” And then he had a religious epiphany while delivering a calf in Trinidad. By now, Jiv’s collected a lot of observations about trying to find your place in your world. In this funny, fresh, and skeptical take on the identity play, Jivesh Parasram blends personal storytelling and ritual to offer the Hin-dos and Hin-don’ts within the intersections of all of his highly hyphenated cultures. This story asks the gut-punching questions: What divides us? Who is served by the constructs of cultural identity? And what are we willing to accept in the desire to belong? Then again—it doesn’t really matter, because we are all Jiv.
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Solo show with comic monologue potential
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2018, Pandemic Theatre & b current performing arts in association with Theatre Passe Muraille, Toronto
2021
Playwrights Canada Press
9780369100986

Stylized
Life blood and deathblood experienced through the journey of 15 year old Mudgu Sankofa, surrounded by three generations of afrikan-jamaican-becoming -afrikan-canadian women: her family.

Stylized
In a run-down Vancouver hotel in 1974, months after the start of the Pinochet regime, eight Chilean refugees (from children to adults) struggle, at times haplessly, at times profoundly, to decide if fleeing their homeland means they have abandoned their friends and responsibilities or not. Although focusing on a particular group of Latinx refugees, this play gives voice to refugee communities from all corners of the globe