Realistic
Mom, Dad, I’m Living with a White Girl
A Chinese son must tell his parents he has moved in with his white girlfriend. In a counter-narrative, the play explodes Asian stereotypes in a B-movie spoof called Wrath of the Yellow Claw.
Espoir/Espwa (with Les Héritières de Toto B).
Three women explore their different connections to Haiti along the spectrum of diaspora: Nadège was born in Canada but feels the loss of the land she’s never known, treasuring a jar of earth from Haiti given to her by her grandmother; Céleste has been away for 20 years and now returned, her Canadianization interfering with her ability to re-integrate to the culture; and Man Sara gives advice, tells stories, and otherwise administers to her community from her “boutique” shop in a Haitian village, having never left her country.--Dorianne Emmerton
About Playwright(s)
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Female roles
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First produced
2016, Théâtre français de Toronto
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