Beside Herself

By Tara Beagan

This play tells the story of Catherine and Orson, as well as their daughter Beth and her Wife, Roberta. Catherine and Beth are deceased, with the story rapidly changing perspectives and time periods in a series of semi-disconnected shorts. The two primary time periods are Orson and Roberta in the present talking about their lost relationships (at separate locations) and multiple points in the past that link with varying levels of strength to what's being talked about in the present. The viewer learns of intimate details around the family through these snippets, from simpler loving/ argumentitive/ etc. moments to more charged moments, particularly strong memories that are difficult to forget. As the play progresses, it shrares the details of Catherine's declining health, as well as Beth's descent into addiction which led to their deaths. Orson, we now learn, leads a group discussion circle of people who have lost their loved ones, which is where he and Roberta are talking in the present. We also learn, as the play ends, that Orson is helping Roberta with her young daughter Lily who lives on in Beth's memory.

About Playwright(s)

Cast Information

Cultural background of characters

Total number of characters

Minimum number of actors

Female roles

Male roles

Transgender roles

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Non-Binary Gender Non-Conforming roles

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Gender unespecified roles

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Age of characters

Actor-Friendly Parts

Monologue level

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Monologue details

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Scene level

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Scene details

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Production and Publication

First produced

April 2012, Mysterious Entity, Peterborough Ontario

Publication year

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Published by

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ISBN

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Unpublished. Script available here: https://web.archive.org/web/20240615234358/https://tarabeagan.com/wp-content/uploads/2020/03/beside-herself.pdf. Formerly needed 2 actors according to it, now needs 4.

Unpublished. Script available here: https://web.archive.org/web/20240615234358/https://tarabeagan.com/wp-content/uploads/2020/03/beside-herself.pdf. Formerly needed 2 actors according to it, now needs 4.

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