Musical
Nigredo Hotel
"A stressed-out neuro-surgeon goes off the highway in his jaguar and checks into a seedy hotel, deserted but for the bizarre woman who runs the joint and seems to know more about him than he knows himself." - from the publisher
Style
Cyrano de Bergerac
From the acclaimed author of The Last Wife and The Virgin Trial comes a new adaptation of one of the finest love stories ever told. Cyrano de Bergerac is a swashbuckling seventeenth-century swordsman who can do anything . . . except tell Roxane, the woman he loves, how he feels. He’s just too self-conscious about his unusually large nose. Roxane finds romance in words, and Cyrano is full of them, so when he sees the chance to ghostwrite love letters to her from an inarticulate, love-struck cadet, he takes it—but can he ever reveal himself? Could she ever love him for who he is? In turns funny, tender, and self-aware, this classic tale about the exquisite distress of loving from afar will find its way into the hearts of even the most skeptical.
About Playwright(s)
Cast Information
Cultural background of characters
Total number of characters
Minimum number of actors
Female roles
Male roles
Transgender roles
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Non-Binary Gender Non-Conforming roles
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Gender unespecified roles
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Age of characters
Actor-Friendly Parts
Monologue level
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Monologue details
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Scene level
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Scene details
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Production and Publication
First produced
2019, Shaw Festival Theatre, Ontario
Publication year
2019
Published by
Playwrights Canada Press
ISBN
9780369100153
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Plays with Music
Goodnight Desdemona (Good Morning Juliet)
Constance Ledbelly is trying to decipher a coded manuscript which she believes is the lost source for Othello and Romeo and Juliet. Not only does she decode the manuscript but she literally falls into the two plays and causes each of them to turn from tragedy to comedy. "It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Her attempts to save first Desdemona, then Juliet, from their harrowing fates, result in a wild unpredictable ride through comedy and near-tragedy, as mild-mannered Constance learns to love, sword-fight, dance Renaissance-style, and master a series of disguises… Goodnight Desdemona (Good Morning Juliet) a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy." - from the author's website