
Musical
Nigredo Hotel
"A stressed-out neuro-surgeon goes off the highway in his jaguar and checks into a seedy hotel, deserted but for the bizarre woman who runs the joint and seems to know more about him than he knows himself." - from the publisher

"In this stunning third part to Kate Hennig’s powerful Queenmaker series, England’s first queen regnant finds herself fighting xenophobia, religious nationalism, and strained familial bonds in the power struggle that dubs her Bloody Mary. Upon the death of King Edward VI, the thirty-eight-year-old princess Mary—daughter of Henry VIII and Katherine of Aragon—wrests the throne from Edward’s deemed heir. But Mary’s mother appears from the vaults of memory, and adamantly questions the motives of Mary’s cousin Jane and her half-sister Bess, despite Mary’s affection for them both. As the kingdom splits along Roman Catholic and Protestant lines, Mary walks a gauntlet of squabbling ethics and politics, and is forced to make some tough decisions. Should she execute her opponents before it’s too late, the way her father did? Should she scramble to find a husband who can give her a rightful heir? And can she trust her mother, her sister, or even herself?" - from the publisher
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2019, Stratford Festival, Ontario
2019
Playwrights Canada Press
9780369100115
The third part of the "Queenmaker" triology: https://katehennig.com/last-wife ; The Last Wife, The Virgin Trial and then finally this play.
The third part of the "Queenmaker" triology: https://katehennig.com/last-wife ; The Last Wife, The Virgin Trial and then finally this play.

Musical
"A stressed-out neuro-surgeon goes off the highway in his jaguar and checks into a seedy hotel, deserted but for the bizarre woman who runs the joint and seems to know more about him than he knows himself." - from the publisher

Realistic
Of all our contemporary urban myths none is more absurd than the fiction of the classless society, and Morris Panych's latest comedy penetrates ruthlessly to the shock and horror of the residue of hardened pesto soiling its porcelain heart. Haplessly determined to have his own miserable authority vindicated, chief dishwasher Dressler presides over the steam-choked basement of an upscale restaurant, a place of seamless existential drudgery so utterly remote from the light of day that its wage-slaves have no contact with anyone outside. Spouting an indiscriminate cornucopia of working -class ethic, an interminable babble of pride of craft, Marxist rhetoric and the virtues of individual entrepreneurship as celebrated by And Rand, Dressler tyrannizes his coworkers relentlessly.